Monday, February 19, 2018

Thief of Hearts


I have said many times how much I love Dark Sword miniatures.  The level of detail and precision makes it a dream to paint.  By comparison, the figures almost "paint themselves", which make them ideal subjects for the live streams, such as this facebook live episode.



I used some Green Stuff World flower tufts on the base, which was a very nice compliment to all the purple tones on the figure itself.  I have many more of these Dark Sword figures prepped, hoping to show dozens of different techniques in both oil paints and 'regular' acrylic paints.


I will be doing special YouTube versions of the live painting sessions on many more Dark Sword figures.  These will be available for the Patreon supporters who pledge $5, and those pledging $10 can win these figures in secondary raffles, in addition to the usual monthly raffle.

I am hoping that the page does well enough that I can start to get more interesting large figures to paint in oils.  

As always, any support for the page helps a great deal!



Sunday, February 18, 2018

Swamp Things


When we first started painting figures back in 2001, we were working on a lot of  Celtos, Void and Chronopia miniatures.  I especially liked the Celtos minis, and a number of the Chronopia figures had a similar set of sculpts.

They were all sculpted by Kev White I believe, which meant that there would be certain factors that made them fun to paint!


They tended to be more of a "blank canvas", and not buried in straps and belt buckles!  This meant that you could take the figure in more directions, and make your own choice.

With the advent of ZBrush, you could practically create a sculpt entirely out of belt buckles, because there's a 'brush' in that program which you can use to paint those buckles all over the mini. 

Having those open surfaces to work with meant that you could put more of your own flavor on the figure.


Here's an example of a typical Celtos mini... and there are many more in the gallery!



Friday, February 16, 2018

At last!


I remember seeing this figure posted to various painting sites way back in 2003... part of the Rackham craze that had a major effect on sculpting and painting.

While today's big change in sculpting is ZBrush, at this time using additional materials that were not green stuff for sculpting was not very common.  I believe that Fimo was also used, which probably led to lots of exploding originals during vulcanization.

Having done a lot of stuff with sculpey, I know that you can get really fine details with it... and it can even be carved and sanded after the fact.

I believe that I used some Fimo as I was sculpting this giant Mastadon:



It was very fun to get a chance to work on this figure myself, as I can still remember some of those pictures that I saw posted in the days of painting forums.  Almost past living memory! :-)


Thursday, February 15, 2018

A New Standard


Everybody loves banners for their units, but sometimes you have to convert them from existing infantry figures.  In this case, I needed the "on foot" version of my Easterling Kataphract standard bearer... since you can be knocked off your horse in LOTR.


The process was very simple, taking a piece of heavy paper, soaking it in a glue/water mix, then shaping it, and gluing it to a plastic rod.

I never really liked the solid metal banner figures, and this was a great opportunity to make something unique and useful!


Wednesday, February 14, 2018

Diving in!


I have been eagerly awaiting a chance to paint one of my aircraft for Bolt Action for many months.  Very slowly, I have been collecting 1/48 scale kits for all nations, eras and theatres.  

The Junkers JU 87, or Stuka, was particularly important in the early war phase which I am representing in my battle reports, so it had to be the very first one!

While I also have a 1/48 scale version of this, I thought that I would try the Blitzkrieg Miniatures kit.  It was an extra challenge to paint, since it is resin (aka heavy!) and the decals were missing.

This meant that I had to do them by hand.  Freehand is something I am very used to, but not this kind of geometric shape on such a large and unusually shaped surface.  Also, these had to be 'repeated' on both sides of the aircraft!

I found some references of markings from France 1940, grabbed a pencil, and got down to work!


I drew out a few 'guides' in the form of dots, followed by lines, just to indicate where each marking should begin and end, so that size would be matched up on each side.

I used a grayish/white mix and started by painting the inner white sections of the Balkenruz.  It will be easier to paint the black sections around this, thus 'cleaning up' and variations in the white lines. 


You can see that in this image, with the black filler acting like a ruler, straightening out the white areas.


This was repeated for all the markings.  If necessary, I went back in with the white to clean up the black areas, and even a touch of the dark green fuselage and wing color in case I needed to clean up an outer edge.


I still have to weather this some more, but that will probably wait until after I have filmed the next Battle Report in my Bolt Action series!!

I will be using some silver paint and sponges to 'remove' some of the dark green paint around key areas, like access panels, where the pilots and crew would be stepping on the wings, and so on.  Since that won't show up very much in the few moments that this will be on screen, I thought I could make that another how to article.


It certainly looks the part on my Ardennes board. I have not used an airstrike in any of my Bolt Action games yet, and it will be an important part of the next episode of the Battle Report series called "Sickle Stroke".


As I have researched the Battle of France, I continuously read about the methods used for dealing with the heaver French tanks such as the Char Bis.  While their standard Anti Tank weapons were ineffective "Door Knockers", the Junkers JU 87's were quite deadly attacking from above.

I want to represent this with the forces that have been chosen, as well as the scenario itself.


Just like the first report, I am trying to blend a historical set up with a bit of "What if".  There were many counterattacks planned by the Allies for the Battle of France, but between poor communication, coordination and even dead commanders, these hasty offensives ended up with poor support.

In this case, I wanted to see if a mixture of heavy French units could outflank a rapidly advancing German force that is attempting to cut off the Northern units of the French army that had gone into Belgium, etc.

This report will also feature the naming of some of my terrain pieces after the top Patrons of my Patreon Page.  The idea popped into my head the other day, and there are plenty of pieces of terrain that need names!

So, you will see Spark's Peak, McCoy Ridge, the Abassi River, and many more in Sickle Stroke!

To support the making of these reports (each one takes about 18 hours to film, edit, render, etc.), or to have a terrain feature named after you, here is the page:

BTW, I will be doing special patron only videos as well...



Tuesday, February 13, 2018

Rock Solid


This rather unusual figure from Mierce Miniatures was painted mostly in oils, with follow up details added later on with 'regular' acrylic paints.


It was part of a very large batch of monstrous infantry painted simultaneously, which is a major advantage of the oils.  I can work on many figures at the same time from a number of different projects, since the oils remain wet not just on the palette, but the figures themselves.

This means that I can bounce around moving from one set to the next... especially is the colors are related in any way at all.  I chose a huge number of figures that would need skin and earth tones, and blended away!


The paint stays wet for at least 1 to 2 days, which will likely extend a bit in the summer when the air is not so bone dry.  Also, oils allow you to do a lot of mixing right there on the figure.  This cuts down the time you need to spend on each individual figure, and you don't have to worry as much about your paint mix drying out on you suddenly.

Once the oils dry, then I can go back in with more precise details on things like the face, and freehand such as the woad.   More to come!


Sunday, February 11, 2018

Vengeance on the Vistula


Some of the most interesting armies that you can field in Bolt Action are various Partisan forces. 

I already have French and Ukrainian Partisan armies under way, but soon I will be able to add one more, courtesy of a new kickstarter campaign!  That would be the Warsaw Uprising.

I am looking forward to working on these, including a Facebook live episode on the Kubus armored car!!

Here's a link to the campaign:



This unique vehicle was a one of its kind, fashioned like many of the weapons used in the Uprising by the fighters themselves.


Each of these character figures has a story behind them, based on those who were there:

This is a very special character piece. Our friend and painter, Peter Motas' grandmother served as a medic in the Home Army at the age of 18. We planned to produce a female medic as homage to female service in the home army but when Peter told us this we decided to base it off of photographs off of Danuta. She survived the uprising; despite a room she was in being hit by a tank's shell. This tank is believed to have been a Tiger tank. Luckily for Danuta, a door crashed into her, absorbing most of the shock but leaving her very injured. She would eventually spend the remainder of the war in a work camp, wearing a "P" for Polish. 


The Polish forces created many weapons as I mentioned earlier, such as this:

The German Army in Warsaw were surprised by the large amount of flame throwers in the insurgent forces. Design work upon a simple flamethrower for the Polish underground, suitable for clandestine production in ordinary workshops from readily available materials, started in 1942 on request of the Home Army main headquarters. Its main purpose was to be used against armoured vehicles. There were several designs produced, of which the most popular was the K-Pattern, becoming a sort of standard weapon of the Polish underground.


Great attention was given to scale and detail, so I think these will be quite nice to paint!


This is the burned out hulk of the Kubus, which I believe has been restored since.


This is just the beginning for this Warsaw Uprising army, with more planned, and stretch goals too.


I look forward to painting this in a live session very soon... attempting to match the historical appearance as closely as possible.  There is a bit of leeway here, as there is a little debate of its exact color scheme.

There are still a few weeks left in the campaign, so you can support the Uprising!!!